Performers can either do karaoke, sing an original song, or lip sync 鈥� the one stipulation is that it must be in a language other than English. This year, there were 14 performances with songs in 10 different languages:聽French, Spanish, German, Arabic, Italian, Korean, Indonesian, Japanese, and Old French/Latin.

Global Vision was inspired by the Euro Vision Song Contest, which has been hosted since 1956. However, the event at Elon is for languages across the globe, not only languages spoken in Europe.

Elon’s performers were rated in the categories singing, language skills, and performance by Sandy Marshall (Global Neighborhood), Bethanny Sudibyo (World Languages and Cultures), Trudy Arling (Polygot LLC RA), and Joel Thomas (Campus Safety and Police).

There were three prize baskets for the winners filled with international candies, snacks and drinks. In addition to the sweet treats, the first-place winners also went home with a trophy!

Congratulations to this year’s winners:

• 1st place – Vee Brown performed in Italian
• 2nd place – Emma Arruda performed in French
• 3rd place – Tamar Kalisher performed in French/Latin

Elon’s sixth Global Vision Song Contest is scheduled for Spring 2027.

Layton recently earned a Deutscher Akademischer Austauschdienst (DAAD) grant. Also known as German Academic Exchange Service, DAAD is a Germany-based international funding organization for exchange students, researchers and academics. Layton, a German studies and history major with minors in museum studies and public history and international and global studies, plans to pursue a master鈥檚 degree in intercultural communication and European studies at Fulda University of Applied Sciences.

Layton discovered the DAAD grant via a tip from her German professors, Kristin Lange, associate professor of German, and Scott Windham, associate professor of German. She received strategic support from Nicole Galante, assistant director of national and international fellowships, and Ann Cahill, professor of philosophy, distinguished university professor and director of the National and International Fellowships Office (NIFO).

鈥淭he guidance I received from faculty was instrumental in helping me achieve this milestone,鈥� Layton said. 鈥淣icole Galante and Dr. Cahill at NIFO assisted me in writing a statement of purpose and making clear that I am an ideal candidate for DAAD. I am also thankful for my German professors Dr. Scott Windham and Dr. Kristin Lange for encouraging me to pursue studies abroad and to challenge myself.鈥�

Layton also discussed how the DAAD grant will help her achieve her dream of earning a master鈥檚 degree abroad.

鈥淭he value of studying outside of your home country is something that I don’t think many Americans grasp, and I am excited to gain new academic perspectives by engaging with a culture that is not my own,鈥� Layton said.

Layton鈥檚 inspiration for pursuing a master鈥檚 degree in Germany stems from her semester abroad in Heidelberg during fall 2024 after immersing herself in the city and culture, she longed to return to Germany.

鈥淚 took all of my coursework in German and wrote a semester paper in German, so my language skills and ability to engage with German texts in my field of study expanded drastically,鈥� Layton said. 鈥淚 felt one with Heidelberg and like I belonged there. This showed me that I am capable of pursuing further education in the country.鈥�

Layton鈥檚 strong interest in German studies began when she was 13 years old. She started completing German coursework at this age and was fascinated to learn about a language and culture that was different from her own. Layton continued her studies in high school, which ultimately carried over to her time at Elon.

鈥淚t was at Elon that I really thrived in German, developing advanced proficiency and connecting German to my career goals,鈥� Layton said. 鈥淢y advisor Dr. Windham taught me in my first semester in German my freshman fall, and he saw my potential and encouraged me to continue pursuing language education.”

Because Layton knew she wanted to take a German course each semester to maintain her language proficiency, creating a German studies major seemed like the logical next step. She also noted how courses in German studies, history, museum studies and international and global studies intersect.

鈥淒r. Windham introduced me to the idea of being a German major, and he was clear that he would support the process of designing the major, so I wasn’t too overwhelmed by the idea,鈥� Layton said. 鈥淎s an ambitious student, I was more excited to start something new than I was nervous.鈥�

Designing this new major involved curating a list of required courses and proposing a capstone thesis project. Windham, Evan Gatti, professor of art history, and Amanda Laury Kleintop, assistant professor of history, helped Layton make sure that the German studies curriculum coincided with her other degree programs.

鈥淒esigning the major took two semesters of meetings and collaboration with committees to prove I could undertake an entirely new major, a demanding process that strengthened my ambition and clarified my academic and career goals,鈥� Layton said.

DAAD is one of the world鈥檚 largest grant institutions. It funds research and study for over 100,000 people in Germany and across the world.

鈥淩eceiving the DAAD grant is significant because it鈥檚 proof that Tori is among the top young researchers in the United States and it鈥檚 a testament to her academic achievements and intellectual ambition,鈥� Windham said. 鈥淲e are ridiculously proud of Tori. The grant shows how well Elon supports undergraduate research, international grant and fellowship applications, and cross-disciplinary studies. It also shows that Elon鈥檚 language programs are among the best in the country. Tori鈥檚 DAAD grant wouldn鈥檛 be possible without her extraordinary abilities in German.鈥�

This year, Layton worked with Windham and Gatti to complete her German studies capstone project investigating how the extremist far-right political party in Germany, Die Alternative f眉r Deutschland (The Alternative for Germany, AfD), uses propaganda infused with historical visual rhetoric. She explained how this propaganda suggests that the party is helping restore Germany鈥檚 former glory.

鈥淭he research has consisted of considerable close reading of propaganda posters, culminating in a map that visually connects each image,鈥� Layton said. 鈥淭his is to exhibit how there is a global shift towards far-right extremism that is being influenced by internet-based propaganda today.鈥�

Layton met with Windham and Gatti weekly to discuss the work she completed and to receive feedback. She really valued this mentorship because of Windham鈥檚 position as a professor of German studies and Gatti鈥檚 background in German medievalism.

鈥淒r. Windham and Dr. Gatti guided me while I determined how this project would look in the end,鈥� Layton said. 鈥淚 am eternally grateful for their endless support, insight and encouragement.鈥�

Looking ahead to her future studies in Fulda, Germany, Layton anticipates continuing the research she started at Elon as she contemplates a topic for her master鈥檚 thesis.

Elon has been repeatedly recognized for the number of its alumni who participate in the Fulbright Program as teachers, graduate students, and researchers and has been named a top-producer of Fulbright students in six separate years. Students and alumni interested in the Fulbright Program or other nationally competitive fellowships are invited to contact the National and International Fellowships Office. The deadline to notify the office of your intent to apply for Fulbright in this upcoming cycle is June 1, 2026. Rising seniors are required to work with the National and International Fellowships Office to apply for Fulbright, and alumni are highly encouraged to do so.

Those who received awards this year are:

Azul Bellot 鈥�26

Azul Bellot, a double major in psychology and sociolinguistics with a minor in TESOL, has received a Fulbright grant to teach English in Spain. She is The Elon Commitment scholar in the Odyssey Program and a student scholar with The Center for Engaged Learning.

Bellot has been preparing for an experience like Fulbright long before she arrived at Elon. Reflecting on her early years, she says, 鈥淕rowing up as the daughter of Mexican immigrants, I was my family鈥檚 translator from a young age. I navigated formal systems, adult conversations, and bureaucratic spaces in both English and Spanish long before I had the language to describe what that experience was doing to me. It gave me a deep understanding of what it means for language to be a gateway, and what it costs when that gateway is closed.鈥�

These formative years laid the groundwork for her time at Elon, where she developed her own independent sociolinguistics major, volunteered as an English tutor for children and adults, and conducted research on meaningful mentoring relationships. To Bellot, a Fulbright English Teaching Assistantship in Spain is 鈥渢he most honest intersection of everything [she鈥檚] been working towards:聽language, identity, education, and community.鈥�

After Fulbright, Bellot plans to pursue more international fellowships before returning to academia to earn her PhD in Applied Linguistics. Her Elon mentors include Archie Crowley, assistant professor of English; Nina Namaste, professor of Spanish; and Sylvia Mu帽oz, assistant dean of students and director for the Center for Race, Ethnicity and Diversity Education.

Anya Brati膰 鈥�26

Anya Brati膰, a double major in international & global Studies and public policy with a minor in public health, has received a Fulbright grant to teach English in Vietnam. She is an Elon College Fellow, a Periclean Scholar, and the Student Government Association Student Body President.

To Brati膰, Fulbright represents the intersection of her two greatest passions: global engagement and teaching. She found ways to blend these passions during her time at Elon. As a Periclean Scholar, she had the opportunity to study abroad in India to understand what mutually beneficial relationships look like in practice, not just in theory. As a student consultant with the Center for Design Thinking, she developed a love for teaching and facilitation, specifically the challenge of guiding others through the structured process of finding meaningful solutions to 鈥渨icked鈥� problems. Serving as an English teaching assistant will allow her to refine her intercultural and teaching skills while strengthening diplomatic relations between the United States and Vietnam.

After Fulbright, Brati膰 is interested in pursuing a career in diplomacy or global social impact. 鈥淪imply put, I want to work at the intersection of people, policy and purpose,鈥� she says. Brati膰鈥檚 constellation of Elon mentors includes Amanda Tapler, associate teaching professor of public health studies; Safia Swimelar, professor of political science and public policy; Sean McMahon, professor of entrepreneurship; and Danielle Lake, director of design thinking and associate professor of human service studies.

Molly Moylan 鈥�26

Biochemistry major Molly Moylan has received a Fulbright grant to teach English in Spain.

At Elon, Moylan took every opportunity to foster and blend her passions for STEM research, teaching and service. As a researcher, Moylan worked with chemistry professor Dan Wright to study trace metals within medicinal herbs and spices. She refined her teaching skills by serving with America Reads, the Village Project, the CityGate Dream Center, and more. Most notably, Moylan found a way to combine her passions by co-founding Imagine Science, a program designed to address declining student engagement in science education by bringing hands-on experiments and activities to local after-school programs.

In Spain, Moylan will serve as an English Teaching Assistant in Galicia, a region that is especially interested in promoting students鈥� scientific thinking skills. This Fulbright year will serve as crucial preparation for Moylan as she applies to medical school. The language and cultural skills she will gain in Spain will allow her to better serve Spanish-speaking patients in the future.

Moylan鈥檚 most influential Elon mentor has been Assistant Professor of Chemistry Dan Wright. 鈥淒r. Dan Wright has been instrumental in my success at Elon,鈥� she said. 鈥淭hrough his continued support, my confidence in both my personal and professional capacities has grown immensely, and I am extremely grateful to have had him as a mentor.鈥�

Madison Powers 鈥�25

Madison Powers, who graduated in 2025 with a degree in journalism and a minor in Spanish, has received a Fulbright grant to teach English in Spain. At Elon, Powers was a communications fellow and a 2023 Pulitzer reporting fellow. Since graduating, she has served as an editorial intern at Garden & Gun Magazine in Charleston, South Carolina.

Powers has long had her sights set on a Fulbright English Teaching Assistantship in Spain. During her undergraduate years, she spent a semester in Sevilla and fostered her dual passions for cross-cultural exchange and global education. Eager to return, she applied for Fulbright in last year鈥檚 application cycle and was named a semifinalist. She remained so committed to the value of a Fulbright experience that she chose to reapply this year, and her hard work and persistence paid off.

Powers will serve as an English teaching assistant in Madrid. She is excited to live and work in a large, diverse city while improving her Spanish language skills and forming connections with her community. Serving in Madrid will also allow her to work closely with students on Global Classrooms/Model UN projects, which are important to the development of their critical thinking and cross-cultural skills.

This Fulbright year will serve as a bridge between Powers鈥� current and future journalistic work. Upon returning to the U.S, she plans to work as a journalist reporting on and working in Spanish-speaking communities. Her Elon mentors include Kelly Furnas, associate teaching professor of journalism; Jan Register, administrative assistant for the Truitt Center for Religious and Spiritual Life; and Pablo Celis-Castillo, associate professor of Spanish.

Aryanna Vindas 鈥�25

Aryanna Vindas, a graduate of the class of 2025, has received a Fulbright grant to teach English in South Korea. She graduated with a BFA in Dance Performance and Choreography and a minor in Asian studies.

Serving as an English teaching assistant in South Korea is a natural extension of the work Vindas began at Elon. She completed a two-year undergraduate research project about Korean Buddhist mindfulness, studied abroad for a semester in South Korea, and undertook a rigorous course of Korean language study. Simultaneously, she developed her teaching skills by serving as a volunteer English teacher, tutoring Spanish, and leading and assisting dance classes.

Because her grant does not begin until January 2027, Vindas has chosen to go above and beyond to prepare. She will spend this summer in South Korea completing intensive language study at Yonsei University in Seoul, which will help her integrate more successfully into her future host community and build more meaningful relationships with her students.

After Fulbright, Vindas plans to enroll in graduate school to continue the research on Buddhist mindfulness she began at Elon. Vindas鈥� Elon mentors include Renay Aumiller, associate professor of dance; the 鈥渨onderful鈥� dance staff; and Pamela Winfield, professor of religious studies and associate director of international & global studies.

In addition to these students, one senior has been named an alternate. Alternates are still in the competition and have the chance to be promoted to finalists (recipients of the grant) up until the official start of the grant period. We will update this story as we continue to hear news of their progress.

Rebecca Lovasco 鈥�26

Rebecca Lovasco, a psychology major with minors in women鈥檚, gender, and sexuality studies and neuroscience, has been selected as an alternate for a Fulbright study/research grant in Taiwan to earn a master鈥檚 degree in Mind, Brain, and Consciousness at Taipei Medical University.

Lovasco is an Elon College Fellow who went on to win the Lumen Prize. Her research, which integrates cognitive neuroscience, clinical psychology, and philosophy of mind, explores how anxiety and depression affect reinforcement learning and conscious visual perception. Outside of her research, Lovasco is proud to have served as a law enforcement crisis counselor with the Campus Alamance program.

Lovasco鈥檚 Elon mentors include Kristina Krasich, assistant professor of psychology; William Schreiber, associate professor of psychology; Kim Epting, professor of psychology; Alexa Darby, professor of psychology; and Jill McSweeney,聽assistant director of the Center for the Advancement of Teaching and Learning聽and assistant professor of wellness.

Federico Pous, associate professor of Spanish, introduced students to Teatro Foro, or 鈥渇orum theater,鈥� an interactive theater technique developed by Augusto Boal to portray social and political conflict.

In Teatro Foro, actors perform a short scene centered on a conflict that remains unresolved at the end of the performance, inviting audience members to intervene and propose solutions. Throughout the semester, students examined how significant events in Latin American history have been represented and understood by the public.

During the May 7 showcase, two student groups performed original scenes depicting conflicts that could occur in everyday college life.

The first performance, 鈥淐aos en el apartamento鈥� (鈥淐haos in the Apartment鈥�), focused on tensions among roommates caused by messy living habits, poor communication and the frequent presence of one roommate鈥檚 boyfriend 鈥� all compounded by the inaction of an inattentive resident assistant.

Audience members stepped into the performance to suggest compromises and alternative approaches to resolving the conflict. While the scenario centered on a relatively ordinary disagreement, the performance highlighted how power dynamics, silence and passivity can shape even the most personal spaces.

The second performance addressed more serious themes, including sexism, domestic violence and bystander intervention.

鈥淟a lecci贸n que no escucharon鈥� (鈥淭he Lesson They Didn鈥檛 Hear鈥�) followed a college student trying to convince her friends to believe her account of domestic violence and warn another friend about the perpetrator before it was too late. The performance challenged audience members to consider why survivors are sometimes dismissed or ignored.

Student spectators again entered the scene to propose solutions and interventions, working through the complexities of responding to gender-based violence and supporting survivors.

Following the performances, Pous led a discussion encouraging students to reflect on the themes raised in each scene, including silence in the face of oppression and the responsibility to speak out against injustice.

The performances prompted broader questions from both actors and audience members, including how individuals can respond to injustice and how communities can work to prevent gender-based violence. Through the forum theater exercise, students explored practical responses to social conflict while encouraging critical reflection among everyone involved.

Smith Elementary School transformed into a vibrant international showcase during Global Week as university professors offered a cultural event connecting local students and their families with cultures and languages from around the world.

The event, organized by Mayte de Lama, associate professor of Spanish, featured a series of interactive tables, each representing a different country or culture. Faculty members Shereen Elgamal, Federico Pous, Ketevan Kupatadze, Mayte de Lama, Ricky Mendoza, Samuele Pardini, Bethanny Sudibyo, along with French majors C茅cile Charron and Noelle Murray and with French minor Julia Canto, volunteered their time to create engaging experiences. Together, they offered children and their families an opportunity to explore communities from across the globe. Rod Salazar, owner of Iraz煤 Coffee, also contributed his time, expertise and coffee beans by helping bring Costa Rican culture to life.

Each table was thoughtfully curated with authentic materials. Visitors could browse children鈥檚 books in different languages, learn to write basic characters, and participate in hands-on activities such as traditional games and crafts. Colorful displays of photographs, artifacts and clothing provided insight into daily life and cultural celebrations, while snacks and sweets offered a literal taste of each culture and reinforced language learning. At several tables, families gathered as professors demonstrated how to write in non-Latin alphabets, sparking curiosity and excitement among young learners. Children who completed their journey across the different countries received stamps in a 鈥減assport,鈥� which they later exchanged for a prize.

Families, teachers, and staff expressed strong appreciation for the opportunity to 鈥渢ravel鈥� and learn together in an interactive and accessible setting. By bringing university professors into the elementary school community, the event created a meaningful bridge between higher education and early learning.

Sudibyo, an assistant teaching professor of Spanish who joined Elon in 2023, brings a global perspective shaped by her Indonesian roots and academic journey. Through her teaching, research and campus involvement, she is creating spaces where students feel a sense of belonging, something she says first drew her to Elon.

鈥淚 really enjoyed the company of my colleagues, and they were such wonderful people,鈥� Sudibyo said of her first visit to Elon. 鈥淭hen the students, during my teaching demo, were all engaged, and it just felt like a great place.鈥�

Being from Indonesia, Sudibyo describes her academic path as somewhat 鈥渞andom.鈥�

鈥淲e don鈥檛 speak Spanish in Indonesia, it鈥檚 not our national language and we don鈥檛 have a lot of connections to the Spanish-speaking world in that way,鈥� said Sudibyo, who decided to major in Spanish.

Now, as a professor, Sudibyo focuses on bridging those connections, encouraging students to think beyond traditional cultural boundaries, particularly through her research studying the intersections of the Asian and the Spanish-speaking world. Her scholarship highlights stories that, she says, are often overlooked, including the history of the Philippines under Spanish colonial rule and the presence of Asian voices within Hispanic culture.

鈥淪omething I鈥檝e discovered that is not talked about a lot are the Hispanic Philippines,鈥� she said. 鈥淭here are a lot of cultural productions, all in Spanish, and it was never taught to me as a graduate student. It became very personal.鈥�

By bringing these perspectives into her courses, including 鈥淲omen鈥檚 Writing in the Hispanic World,鈥� Sudibyo is broadening how students understand language, culture and identity, while also increasing visibility for Asian narratives in traditionally Eurocentric spaces.

Outside the classroom, Sudibyo continues that work as a faculty-in-residence in the Danieley Neighborhood, where she connects with students on a more personal level.

鈥淚t鈥檚 a very rewarding experience because you get to interact with students outside of class,鈥� she said. 鈥淭hey get to see me as a human being.鈥�

She also serves as an advisor to the Polyglot Living Learning Community, helped launch the Spanish Club in Fall 2025, and channels her passion for event planning into creating inclusive, community-building experiences.

For Sudibyo, mentorship is one of the most meaningful aspects of her role, and central to creating spaces of belonging.

鈥淪eeing the students鈥� growth and seeing them reaching the goals that they鈥檝e said they wanted to do鈥擨 think that鈥檚 the most rewarding part,鈥� she said.

That impact is also felt by her students.

鈥淒r. Sudibyo has impacted me at Elon by being a mentor for me as a student but also as a person,鈥� said Hailey Landers 鈥�28, president of the Spanish Club and a dance science major from Fuquay-Varina, North Carolina. 鈥淗er guidance and genuine support have made a lasting difference in both my personal and academic journey.鈥�

During API Heritage Month, Sudibyo鈥檚 presence on campus also carries deeper significance. As one of the coordinators of Elon鈥檚 API Employee Resource Group, she is intentional about increasing visibility and challenging narrow perceptions of what it means to be Asian.

鈥淲hen we say 鈥楢sian,鈥� a lot of us think of East Asia,鈥� she said. 鈥淔or me, it鈥檚 important to show up because it shows Asia is a diverse continent with so many cultures and so many languages.鈥�

Through her teaching, mentorship and advocacy, Sudibyo is helping ensure that diversity is not just acknowledged at Elon but actively understood, represented and celebrated.

Elon honors Asian & Pacific Island Heritage Month

As part of Asian and Pacific Islander Heritage Month, 福利亚洲国产精品 is sharing stories through Today at Elon that highlight Asian and Pacific Islander students, faculty and staff who contribute to a campus environment where cultural identities and experiences are celebrated year-round. Throughout the month, Elon is also recognizing API Heritage Month through a series of events and programming.

Pous’s talk was part of a much larger week of events that included other research presentations, cultural events, and public talks, with an epicenter in a huge street demonstration that took place on March 24 throughout the country. The massive mobilization commemorates the day on which the dictatorship started in 1976, and brought together political activists and groups, as well as cultural spectacles and common citizens, to remember the dark years of the dictatorship, so as not to repeat them again. Under the cry of Nunca Mas! (Never again), the people maintain a culture of memory despite the attempt of the current government to dismantle the human rights platform that makes it possible.

In the context of the Cold War, Argentina, like most Latin American countries during the 60s, 70s and 80s, went through a period of military dictatorships that targeted political opponents with the financial and political support from the U.S. From 1976 to 1983, Argentina was under a military dictatorship that utilized irregular methods of repression against its own population. Following the lesson learned at the School of the Americas, the military regime created a system of clandestine centers of detention in which political opponents were brought after being kidnapped in the streets, their workplaces or in their homes. Once in these clandestine prisons, they were tortured, treated with minimum care, uncommunicated from their family members, and most of them were killed and their bodies disappeared. It is calculated that 30,000 people disappeared under this system of repression.

Since the return of democracy in 1983, there has been a grassroots collective effort to recompose the social link by fomenting a culture of memory in the country under the banner of Not forget, not forgive (Ni Olvido ni Perd贸n). Throughout the years, different human rights organizations worked along with state officials, international support groups, and local community organizations to persecute the criminal legally (over 1000 were already condemned), build and maintain several sites of memory, and provide retribution to the people affected directly and indirectly by it.

Pous’s talk emphasized this collective effort to cultivate a culture of memory across different generations. For Pous, 鈥渢he task of memory today is an intergenerational endeavor that requires to be open ot listen to the questions and concerns of the new generations.” In his talk, he focused on key cultural products like the films “The Official History” (1985) and “Argentina 1985” (2022) as well as the fiction books “La casa de los conejos” (2006) and “Diario de una princesita Montonera” (2012) to highlight the public debates around postdictatorship democracy that have fed the culture of memory in the country.

Earlier in the week, Pous presented his book, Eventos Carcelarios (UNC Press, 2022), at the University of El Salvador for an audience of professors and graduate students. He delivered a talk about the novel “El beso de la mujer ara帽a” (Puig 1976) in conjunction with a historical analysis of the liberation of political prisoners in 1973, at the return of a seven-year dictatorship that preluded the most horrific one mentioned above. His talk focused on the 鈥渃onnection between an historical event that was lived as if it was the revolution, but it turned out to be the beginning of the defeat of the revolutionary project鈥�. For Pous, the prison cell became 鈥渁 singular place of reflection and self-critique鈥� that the novel depicts in detail to reimagine the possibility of a radical imagination today.

聽(Brepols, 2026) is derived from the third and fourth installations of the聽聽conference. The purpose of the conference was to examine how the bishop, one of the key characters in the administration of medieval Europe, shaped how medieval European history has been recorded and remembered. Bolstered by the sense that the bishop, as an organizing idea, matters, the inaugural conference, In the Hands of God鈥檚 Servants, sought to examine the construction, enhancement, and expression of episcopal power at a local level. Papers selected and adapted for publication appeared in , which offers microhistories of episcopal power and authority, fracturing what we know about the bishop into episodes that represent dioceses and dependents, and the individuals that ran them. The singularity of these stories inspired the subject of the second conference on Episcopal Personalities. Papers from this conference were published in , which explored the work and responsibilities of the bishop, how a bishop鈥檚 persona shaped his approach to the episcopal office, and how a bishop鈥檚 charisma affected the way in which he was received or remembered by the communities he served.

Analysis of the bishop鈥檚 personality encouraged the organizers to mine the slippery space between the office and the man, not only for the ways this space elides differences between the episcopal personae of priest, pastor, or prince, but also because the space sheds light on from where鈥� or from whom 鈥� a bishop鈥檚 power derived. The third conference, The Bishop as Diplomat, took up this question as its focus, turning away from the bishop as an agent for and as himself, to the bishop’s role as a representative of the power and authority of others. The papers offered at this conference examined how bishops developed the skills and tactics needed for diplomacy, as well as how and when these skills were deployed, and in what circumstances. They also explored what it meant for a bishop, who was already representing an office beyond himself, to be a diplomat, which often required the bishop to re-present someone else.

Two years later, organizers turned to a theme that had been at the edge of each of the previous conferences: the Bishop as Patron. This conference focused on visual, material and social expressions of episcopal power as well as how those expressions were managed to ensure the legitimacy or the legacy of a bishop. Papers examined traditional examples of patronage, such as those demonstrated through the construction, expansion, and renovation of buildings and the production and reception of manuscripts. The papers asked how and with whom bishops built relationships, and how those relationships were maintained (or neglected).

The essays selected from these last two conferences were edited, expanded and combined into a single volume. Together, they offer a broad overview of how relational culture defines how, why, and for whom bishops work.

is divided into four parts. The introduction, authored by Gatti and Silvestri, explains how this book, the last in the 鈥淧ower of the Bishop鈥� series, responds to and expands on the usefulness of the 鈥渂ishop鈥� as a category of scholarly focus. Next, a prologue by Philippa Byrne asks, 鈥淲hat was Episcopal about Episcopal Patronage?” The remaining essays are divided into two sections. The first section, 鈥淓piscopal Patronage as Re/Presentation鈥�, foregrounds the material aspects of episcopal patronage, such as churches, manuscripts, hagiographies, rites, rituals, frescoes, windows and tombs. This section includes a chapter by Gatti, 鈥淒iplomatic Gestures: Art and Ambivalence in Eleventh-Century Italy鈥�, in which she compares visual images of the bishop to the embodied language of diplomatic gestures. The final section, 鈥淧atronizing Bishops: Clients, Diplomats, Allies, and Rivals鈥�, examines episcopal patronage as an extension of episcopal relationships with families, kings, emperors, and clients, with predecessors and successors, as alliances and antagonisms, and between bishops and their congregations, as well as the monastic and secular clergy.

Creating a coherent collection in a field as broad and disparate as medieval studies can be challenging. In fact, the hardships experienced during the COVID-19 pandemic, prohibitions for travel, the closure of archives and libraries across the UK, Europe, and North America, as well as the crises in higher education and funding cuts for scholarly work, made completing this book particularly difficult. In fact, it was because of these challenges that a decision was made to publish papers from the 2017 and 2019 conferences together after plans for a separate volume fell through. This effort fulfilled a commitment made by the conveners to publish high-quality scholarly papers that had been selected and expanded for publication.

This year鈥檚 symposium, 鈥淪ensorial Cosmologies and Cultural Resistance in Latin America,鈥� explored聽political strategies, activism, and theoretical interventions聽for combatting cultural homogenization in Latin America and the Caribbean.聽Presenters engaged themes such as religion, cosmology and critical theory; gender justice and eco-feminism; and migration from the global south and racial inequality in the USA.

Seventeen scholars from across the US joined 福利亚洲国产精品 faculty conveners Federico Pous (World Languages and Cultures), Leyla Savloff (Sociology and Anthropology), and Juan Leal Ugalde (World Languages and Cultures) to feature work on counternarratives and cultural resistance offered by Indigenous cosmogony and artistic creation. Presentations included 聽topics such as 鈥淐atholic Feminism and Reproductive Justice in Argentina,鈥� 鈥淩esistance in Apu Kolki Hirka,鈥� 鈥淩evival in the Sikiru Movement,鈥� and 鈥淭rans Migrant Women鈥檚 Spatial Practices in Queens.鈥�

鈥淭he quality of papers presented, and the intellectual conversation we held at the symposium were very stimulating,” said Federico Pous, associate professor of Spanish. “We are currently preparing a dossier for the very well-known journal Acontracorriente, in which most of the participants at the symposium will publish an article on the topic of sensorious cosmologies. I hope to continue organizing academic encounters like this one in the future.鈥�

This year鈥檚 keynote presentation, 鈥淐ontemporary Audiovisuality as a Site of Cosmological Inscription,鈥� was delivered by Ana M. Ochoa, professor of music and ethnomusicology at Tulane University. Her lecture outlined her collaborative work on audio production among indigenous filmmakers in South America.

鈥淭he global politics of migration calls us to think how media, audiovisual and sound technologies are not simply a way to broadcast entertainment, art, or events. They have been part of the fabric of a sensorial cosmological transformation in the make-up of life聽and how we think of it,鈥� said Ochoa. “This is not only the case when, for example, indigenous peoples film聽their myths, or participate in transnational art events to affirm their cultures and聽cosmologies, but also as we trace the historical links between extractivism, the soundscape of life, and audiovisual sensoriums.鈥�

CSRCS Director Brian Pennington emphasized that supporting Elon faculty scholarship is a primary purpose of the symposium.

鈥淪ymposium participants, led by Drs. Savloff and Pous, have already developed a detailed roadmap for publishing these papers, and we are excited about the important collection that will result,” said Pennington.

For more information, visit the On the Edge Symposium webpage.

Now a journalism and Spanish double major at Elon, Vann will join with dozens of fellow 福利亚洲国产精品 musicians for a Wind Ensemble performance at Carnegie Hall in New York City, a moment that will reflect her musical growth and commitment to balancing two distinct passions.

That performance takes place on March 11 as part of a showcase ensemble for the 24th Annual New York Wind Band Festival.

Vann, a Phoenix Band Scholar and member of the Fire of the Carolinas marching band from Siler City, North Carolina, played in a high school band. With only three clarinets, one musician per part, she was used to being the only one playing a section of a piece. In the Elon wind ensemble, there are multiple clarinets playing per part.

鈥淚 learned to be extremely aware of myself and how I sound,鈥� Vann said of her 15-member high school band. 鈥淭here wasn鈥檛 much balance or blend because we were all focused on ourselves. But I’m grateful for that experience because it helped me figure out my specific sound and establish strong practice habits.鈥�

Transitioning from a small band to Elon鈥檚 50-member wind ensemble taught her how to balance and blend in her section.

鈥淭he first thing I realized was how big the sound was here,鈥� Vann said. 鈥淚 was surrounded by people who genuinely cared about music. Our director focuses so much on the little details. In high school, we focused more on the bigger picture. Here, everyone is working in harmony to create something beautiful.鈥�

Combining two passions

While music is a passion, Vann is not a music major. She studies journalism and Spanish and serves as a copy editor and reporter for聽, juggling interviews and deadlines with rehearsals and performances.

She credits Elon鈥檚 opportunities for allowing her to continue performing while pursuing a non-music degree.

鈥淚 love how Elon gives students who aren鈥檛 music majors the opportunity to participate in ensembles,鈥� Vann said. “If they didn’t, I wouldn’t be able to do what I love.”

Her decision to continue playing was inspired by the Phoenix Band Scholarship. After taking a year off from playing the clarinet during her senior year of high school, she realized how much she missed performing.

鈥淚 decided to do it because I missed playing so much,鈥� Vann said. “I am really happy I did. I have met so many people who share a passion for music.鈥�

Jonathan Poquette, 福利亚洲国产精品鈥檚 Fletcher Moore Distinguished Emerging Scholar and director of bands, said he is intentional about welcoming any Elon student, regardless of major, to participate in music ensembles.

鈥淎s a faculty, we enjoy working with students who are passionate about making music, even if they are not music majors,鈥� Poquette said. 鈥淭he fact that so many of our students are non-music majors, and yet we can achieve tremendous experiences like this, is what makes 福利亚洲国产精品 so special.鈥�

Performing on the big stage

When Vann first learned the wind ensemble would perform at Carnegie Hall, she described it as 鈥渁 roller coaster of emotions.鈥�

鈥淎t first I was completely shocked, then excited, then nervous,鈥� Vann said. 鈥淚 felt a sense of pressure, but it was a good kind of pressure, the kind that pushes you to be the best musician you can be.鈥�

Performing at Carnegie Hall represents nearly a decade of dedication and practice.

鈥淚t鈥檚 hard to believe I鈥檓 going to be on the best stage in the world, where so many legends have performed,鈥� Vann said. 鈥淎ll the time and effort I鈥檝e spent practicing since sixth grade has led to this moment.鈥�

While she has not visited Carnegie Hall before, she is eager to step on the stage alongside her bandmates.

鈥淚 think I will feel everything, excitement, nerves and adrenaline,鈥� Vann said. “But we’ve practiced so hard, and I know we are ready. I鈥檓 just going to take it all in.鈥�

As she prepares for the trip to New York City, Vann is looking forward to sharing the experience with her band family.

鈥淭his will definitely be a core memory for me,鈥� Vann said. 鈥淓ach member of the ensemble is vital. It wouldn鈥檛 be the same without every single one of them, and Dr. Poquette has worked so hard to make this a reality.鈥�

Beyond Elon, Vann said she hopes to one day report and write for a publication and tell stories she is passionate about. She also hopes to pursue translation work with her education in Spanish.

鈥淢usic will always be a part of my life and is another way to express myself,鈥� she said. 鈥淚 can鈥檛 imagine not doing music. Wherever I end up, I hope to join a community band or orchestra to keep refining my skills.鈥�