¸£ÀûÑÇÖÞ¹ú²ú¾«Æ·

Art History Professor Kirstin Ringelberg shared their research on gender, sexuality and art history at venues in New York, Chicago, and Dijon, France.

Ringelberg, a professor of art history, served as a respondent to the panel “Queering/Queer in the Nineteenth Century".

Ringelberg joined curator Kenneth Brummel and artist/activist Ravyn Wngz to discuss Andy Warhol’s portrait series "Ladies and Gentlemen."

“'The flower that thinks, the flower that suffers': Anthropomorphization as Art and Science in the Belle Époque" was part of a panel on The Art of Botanizing.

"Why It Might Be Better to Be a Generalist" was part of the panel The Art History Generalist: Challenges, Strategies and the Future of Teaching Art History

The Professor of Art History discussed archival revelations in the study of Belle Époque painter Madeleine Lemaire.

The art history professor's paper, "This Woman Artist Who Is Not One," served as a manifesto against cisnormativity in the scholarly study of historical figures.

Kirstin Ringelberg, professor of art history, developed and co-chaired the flagship conference's first panel devoted entirely to trans and gender variant art histories.

The art historian appears in the Fall/Winter 2017 volume with a critique of contemporary art historical Orientalism.

Art historian Kirstin Ringelberg presented as part of a panel on gender and style in 19th-century French culture at the annual colloquium hosted this year by the University of Virginia.